All Art Painting Art Blog - Oil Painting on Canvas

August 30, 2009

English Painter John William Waterhouse and His Work

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John William Waterhouse (b Rome, 6 April 1849; d London, 10 Feb 1917). English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. Early in his career he painted Greek and Roman subjects, but in the 1880s he turned to literary themes, painted in a distinctive, dreamily romantic style. In approach he was influenced by the Pre-Raphaelites, but his handling of paint is quite different from theirs–rich and sensuous.

John William Waterhouse’s paintings:

A Mermaid

Apollo And Daphne

Boreas

Crystal Ball

Fair Rosamund

Echo And Narcissus

Hylas And The Nymphs

La Belle Dam Sans Mercie

Lady Of Shalott

Listening To His Sweet Pipings

Miranda The Tempest

Narcissus

Penelope And The Suitors

Psyche Entering Cupids Garden

Sweet Summer

The Awakening Of Adonis

The Danaides

The Enchanted Garden

The Lady Of Shalott

The Remorse Of Nero After The Murdering Of His Mother

Tristan And Isolde Sharing The Potion

Windswept

View more paintings by John William Waterhouse at Allartpainting.com>>

 

Spanish Artist Diego Velazquez and His Work

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Diego Velazquez (or Velasquez) (1599-1660). Spain’s greatest painter was also one of the supreme artists of all time. Diego Velasquez may have had a greater influence on European art than any other painter.

Diego Rodriguez de Silva Velasquez was born in Seville, Spain. His father was of noble Portuguese descent. When he was 24 he painted a portrait of Philip IV, who became his patron.

The artist made two visits to Italy. On his first, in 1629, he copied masterpieces in Venice and Rome. He returned to Italy 20 years later and bought many paintings–by Titian, Tintoretto, and Paolo Veronese–and statuary for the king’s collection.

Except for these journeys Velasquez lived in Madrid as court painter. His paintings include landscapes, mythological and religious subjects, and scenes from common life, called genre pictures. Most of them, however, are portraits of court notables that rank with the portraits painted by Titian and Anthony Van Dyck.

Velasquez was called the “noblest and most commanding man among the artists of his country.” He was a master realist, and no painter has surpassed him in the ability to seize essential features and fix them on canvas with a few broad, sure strokes. “His men and women seem to breathe,” it has been said; “his horses are full of action and his dogs of life.”

Because of Velasquez’ great skill in merging color, light, space, rhythm of line, and mass in such a way that all have equal value, he was known as “the painter’s painter.” Ever since he taught Bartolome Murillo, Velasquez has directly or indirectly led painters to make original contributions to the development of art. Others who have been noticeably influenced by him are Francisco de Goya, Camille Corot, Gustave Courbet, Edouard Manet, and James McNeill Whistler.

Diego Velazquez’s Paintings:

Allegorical Portrait Of Philip Iv

Cardinale Ferdinand

Diego Philip Iv At Fraga

Equestrian Portrait Of Philip Iv

Josephs Bloody Coat

King Philip Iv As A Huntsman

Los Borrachos The Triumph Of Bacchus

Las Meninas

Maria Teresa Of Spain (with Two Watches)

Old Woman Poaching Eggs

Pope Innocent X

Portrait Of Innocent X

Portrait Of The Infanta Margarita

Queen Dona Mariana Of Austria

St. Anthony Abbot And St. Paul The Hermit

The Count Duke Of Olivares On Horseback

The Fable Of Archne Aka The Spinners

The Infanta Don Margarita De Austria

Venus At Her Mirror

View More Diego Velazquez’s Paintings at Allartpainting.com>>

 

English Painter John Constable and His Paintings

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John Constable (1776-1837), English painter, who was a master of landscape painting in the romantic style. His direct studies of nature prompted French painters of the Barbizon School to paint outdoors rather than in the studio. Constable’s interest in the effects of light later became an inspiration to the painters of the impressionist movement.

During his lifetime and for many years after his death, Constable received little recognition or support in England. In France, however, where his painting Hay Wain (1821, National Gallery, London) was shown by a French dealer at the Paris Salon of 1824, he was much admired by the romantic painter Eugene Delacroix; by the Barbizon painters, who, following Constable’s example, began to paint outdoors; and by the impressionists, who sought to capture the effects of light.

View John Constable’s paintings:

A Boat Passing a Lock

A Cottage in a Cornfield

A View on the Stour near Dedham

Arundel Mill and Castle

Branch Hill Pond, Hampstead Heath

Cottage, Rainbow, Mill

Gillilngham Mill

Golding Constable s Kitchen Garden

Helmingham Dell

Landscape with Boys Fishing

Salisbury Cathedral from the Meadows

Scene on a River 2

The Cornfield

The White Horse

The Opening of Waterloo Bridge

The Young Waltonians - Stratford Mill

Wivenhoe Park, Essex

Wivenhoe Park

View more John Constable’s paintings at Allartpainting.com>>

 

French Painter William Adolphe Bouguereau and His Paintings

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Born in La Rochelle, France, William Adolphe Bouguereau began his studies in 1838 with Louis Sage,  a student of renowned Romantic painter Ingres.

Bouguereau produced more than seven hundred finished works and achieved a remarkable level of public acclaim and financial success. He never forgot his difficult early days, however; working secretly, he assisted young artists who were struggling as he had to pursue an artistic career in the face of financial difficulties.

Like many painters of the second half of the 19th century, Bouguereau made a careful study of form and technique and steeped himself in classical sculpture and painting. True to his serious and industrious nature, he worked deliberately and industriously: before beginning a painting he would master the history of his subject and complete numerous sketches.

Throughout his lifetime, Bouguereau staunchly defended the academic tradition of painting and was viewed as an obstructionist by the new generation of painters who were experimenting with Impressionism. While immensely popular during his lifetime, Bouguereau’s reputation suffered with the advent of the modernists who viewed his work as mediocre and overly sentimental. Recent exhibitions have focused attention on the contribution of mid-19th century artists and Bouguereau’s work has enjoyed a resurgence in popularity.

View William Adolphe Bouguereau’s Paintings:

A Dream of Spring

A la Fontaine

A Soul in Heaven

After the Bath 2

Asleep at last

Before the Bath

Big sister

Birth of Venus

Calinerie

Dear Bird

Flagellation de Notre Seigneur Jesus Christ

Italian Girl Drawing Water

La Jeunesse de Bacchus

Le Guepier

Little girl holding apples in her hands

Love on the Look Out

Not too Much to Carry

Nymphes et Satyre

Petites mendiantes

Portrait of Gabrielle Cot

Regina Angelorum

Springtime

The Bunch of Grapes

The Joys of Motherhood (Girl Tickling a Child)

The Remorse of Orestes

The Virgin with Angels

The Virgin, the Baby Jesus and Saint John the Baptist 1

Young Girl Defending herself against Cupid

Zenobia Found by Shepherds on the Banks of the Araxes

View more Adolphe Bouguereau’s paintings in Allartpainting.com>>

 

Introduction of Cluade Monet and His Paintings

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Claude Oscar Monet was born on November 14, 1840 in Paris, France. He spent his latter years at his estate at Giverny, where he died on December 5, 1926, at the age of 86. By the age of 19, he was committed to becoming an artist and spent as much time in Paris as possible in pursuit of this goal.  Monet refused to study at the traditional prestigious Ecole des Beaux-Arts, choosing instead a private art school, the Academie Suisse (Paul Cezanne attended the same school).

In the 1860s Monet associated with the painter Edouard Manet. His association with Manet, a pre-Impressionist, had a formative effect on Monet, who along with other French painters such as Camille Pissarro, Pierre-Auguste Renoir, and Alfred Sisley, went on to form the Impressionist school. Like Pissarro, Monet lived in London from 1870-71 during the Franco-Prussian war. Upon his return to France, Monet made many trips to the coasts and rural areas to study the effects of light and color.

Monet and the Impressionists were more concerned with how the object in the painting was portrayed, rather than what the object in the painting actually was. Composition and form was loose, and color was applied in bright strokes.The “father” of impressionism, Monet sought to paint scenes as they would appear to a “relaxed” viewer. In fact, the term “Impressionism” is based on an art critic’s negative view of Monet’s 1873 work, Impression: Sunrise.

In 1883, Monet and his family moved to the town of Giverny, on the outskirts of Paris. There, he constructed his famous Japanese footbridge and water-lily garden. Much of his work in his later life depicts his time at Giverny. By the mid-1880s, Monet was regarded as the leader of the impressionist school. Monet painted many series of subjects seen in varying degrees of light, different times of the day, and different seasons of the year. These series include Haystacks, Poplars, the Rouen Cathedral, Water Lilies, and the Japanese Bridge.

View Claude Monet’s Paintings:

The Valley of the Nervia with Dolceacqua

The Thames below Westminster

The Seine near Bougival

The Small Arm of the Seine at Mosseaux, Evening

The Rock Needle Seen through the Porte d Aumont

The Saint-Lazare Station 2

The Seine at Asnieres

The Red Road near Menton

The Riverbank at Petit-Gennevilliers

The Road Bridge at Argenteuil 1

The Port of Le Havre, Night Effect

The Porte d Amont, Etretat

The Promenade at Argenteuil 1

The Old Tree at the Confluence

The Point de la Heve, Honfleur

The Jetty at Le Havre

The Main Path at Giverny

The Luncheon 2

The Iris Garden at Giverny

The Japanese Bridge 10

The Flowered Garden

The Garden at Argenteuil

The Grotta of Port-Domois

The Cliffs of Varengeville, Gust of Wind

The Corniche of Monaco

The Doges Palace Seen from San Giorgio Maggiore 1

The Boulevard de Pontoise at Argenteuil, Snow Effect

The Bridge at Argenteuil

The Bridge over the Water-Lily Pond 1

The Chef, Pere Paul

View More Claude Monet’s Paintings at Allartpainting.com>>

 

Introduction of Wassily Kandinsky and His Paintings

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Wassily Kandinsky, Russian-born artist, is one of the first creators of pure abstraction in modern painting. After successful avant-garde exhibitions, he founded the influential Munich group Der Blaue Reiter (The Blue Rider; 1911-14) and began completely abstract painting. His forms evolved from fluid and organic to geometric and, finally, to pictographic.

Kandinsky, himself an accomplished musician, once said Color is the keyboard, the eyes are the harmonies, the soul is the piano with many strings. The artist is the hand that plays, touching one key or another, to cause vibrations in the soul. Kandinsky used color in a highly theoretical way associating tone with timbre (the sound’s character), hue with pitch, and saturation with the volume of sound. He even claimed that when he saw color he heard music.

Black is like the silence of the body after death, the close of life.
– Wassily Kandinsky, 1911

View Wassily Kandinsky’s Paintings:

Composition VIII

Composition LX

Decisive Pink

Composition X

Draught For Mural In The Unjuried Art Show Wall B

Gentle Ascent

Murnau - View with Railway

Munich Schwabing With The Church Of St Ursula

Picture With White Border

Tempered Elan

Untitled First Abstract Watercolor

Yellow Red Blue

Interior My Dining Room

View more Wassily Kandinsky’s paintings at Allartpainting.com>>

 

 

Introduction of John Singer Sargent and His Paintings

An expatriate American, John Singer Sargent studied with Carolus-Duran, he achieved a great reputation for his portraits. His style could be seen as derived from Velazquez by way of Manet. Moving in the circle of the Impressionists, he came to know most of them, and they reacted to his work in varying ways. Degas, as might have been expected, was brutally dismissive; Pissarro, in sending his son to see him in London, where Sargent spent the major part of his working life, described him as `an adroit performer’; but with Monet he had a close and mutually profitable relationship. In the 1880s Sargent began to paint landscapes that were overtly Impressionist in technique and approach, despite a certain superficiality. Although Monet was later to deny that Sargent was an Impressionist, this was unjust, especially in relation to some of his works in the 1880s and 1890s.

John Singer Sargent’s Paintings:

Washerwomen

Winifred, Duchess of Portland

Venetian Interior 1

Venice in Gray Weather

Villa di Marlia - A Fountain

Villa Torre Galli - The Loggia

Violet Fishing

The Oyster Gatherers of Cancale

Thou Shalt Not Steal

Two Girls in White Dresses

Two Women Asleep in a Punt under the Willows

Two Girls with Parasols at Fladbury

 The Birthday Party

The Chess Game

The Daughters of Edward Darley Boit

Santa Maria della Salute

Simplon Pass - The Lesson

Spanish Dancer

Palazzo Labia and San Geremia, Venice

Portrait of Edouard and Marie-Louise Pailleron

Mrs Carl Meyer and Her Children

Mrs Fiske Warren and Her Daughter Rachel

On the Grand Canal

Leaving Church, Campo San Canciano, Venice

Madame X (Madame Gautreau)

Group with Parasols

Egyptians Raising Water from the Nile

Ena and Betty, Daughters of Asher and Mrs. Wertheimer

Carnation, Lily,Lily, Rose

Cashmere

View more John Singer Sargent’s Painting at Allartpainting.com>>

 

August 29, 2009

Introduction of Pre-War American Painters

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Thomas Eakins and Winslow Homer are the two 19th-century painters who influence the course of future art in the United States. Edward Hopper and Georgia O’Keeffe are regarded as the inspirational new painters of distinctive American traditions. Hopper’s work reflects the social mood of the times, while O’Keeffe’s art was more abstract, often based on enlarged plants and flowers. O’Keeffe may not have been a great painter, but her art was highly influential.

Thomas Eakins’ Paintings:

Margaret in Skating Costume

Portrait of Amelia Van Buren

William Rush Carving his Allegorical Figure of the Schuylkil

Whistling for Plover

The Meadows, Gloucester

Swimming

Taking the Count

The Artist s Wife and His Setter Dog

The Biglin Brothers Turning the Stake Boat

Portrait of Samuel Murray

Portrait of William H. MacDowell 1

View more Thomas Eakins’s paintings>>

Winslow Homer’s Paintings:

A Brook Trout

A Basket of Clams

A Good Pool, Saguenay River

A Good Shot, Adirondacks

Autumn, Mountainville, New York

Boy and Girl on a Hillside

Boys in a Pasture

Channel Bass, Florida

Deer in the Adirondacks

Dressing for the Carnival

Fishing Boats, Key West

Gloucester Harbor and Dory

Homer and the Shepherds

Hudson River at Blue Ledge, Essex County

Long Branch, New Jersey

Moonlight, Wood Island Light

On the Beach, Long Branch, New Jersey

Pond and Willows, Houghton Farm

Sailboat and Fourth of July Fireworks

Snap the Whip

The Bridle Path, White Mountains

The End of the Hunt

The Path from Veneux to Thomery along the Water, Evening

The Rapids, Husdon River, Adirondacks

The Veteran in a New Field

Under the Falls, The Grand Discharge

Wreck of the Iron Crown

Young Woman with a Parasol

View More Winslow Homer’s Paintings>>

 

Introduction of Thomas Eakins and his work

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Thomas Eakins (1844-1916) is considered as one of the most outstanding American painter of the 19th century. Thomas Eakins was born in Philadelphia and he spent most of his life there. He studied in Paris with Gerome, but learnt most from the Spanish painters Velazquez and Ribera. He applied the precise and uncompromising sense to his portraiture and genre pictures (e.g. the boating and bathing themes in his painting).

Max Schmitt in a Single Scull painting by Thomas Eakins

Max Schmitt in a Single Scull painting by Thomas Eakins

1871 (110 Kb); Oil on canvas, 82.6 x 117.5 cm (32 1/2 x 46 1/4 in); The Metropolitan Museum of Art, New York

The Biglin Brothers Racing painting by Thomas Eakins

The Biglin Brothers Racing painting by Thomas Eakins

1873 (60 Kb); National Gallery of Art at Washington D.C.
The Gross Clinic painting by Thomas Eakins

The Gross Clinic painting by Thomas Eakins

Artist Thomas Eakins
Year 1875
Type oil on canvas
Dimensions 240 cm × 200 cm (96 in × 78 in)
Location Philadelphia Museum of Art and the Pennsylvania Academy of Fine Arts
The Agnew Clinic painting by Thomas Eakins

The Agnew Clinic painting by Thomas Eakins

Artist Thomas Eakins
Year 1889
Type Oil on canvas
Dimensions 214 cm × 300 cm (84⅜ in × 118⅛ in)
Location Philadelphia Museum of Art, Philadelphia, Pennsylvania
The Agnew Clinic was commissioned to honor anatomist and surgeon, David Hayes Agnew, on his retirement.

Thomas Eakins’ portraits are often compared to Rembrandt’s because of their dramatic play of sombre lighting and sense of inner truth. The most famous of his paintings is The Gross Clinic (Jefferson Medical Coll., Philadelphia, 1875) and The Agnew Clinic (University of Pennsylvania, 1889). 

Thomas Eakins began teaching at the Pennsylvania Academy of Fine Arts in 1876 and was attacked for his radical ideas, particularly his insistence on working from nude models. It was only near the end of his life that he was recognized as a great master.

August 26, 2009

Self Portrait by Rembrandt van Rijn

Filed under: rembrandt self portrait painting — Tags: , — admin @ 11:06 pm

Rembrandt has created an autobiography in art and left us a loftier or more penetrating personal testment than any other artist. He had painted more than 90 portraits of himself dating from the beginning of his career in the 1620s to the year of his death in 1669.

Rembrandt portrait, Rembrandt paintings

Rembrandt portrait, Rembrandt paintingsSelf Portrait 1629 (30 Kb); Oil on canvas; The Mauritshuis, The HagueRembrandt and Saskia in the Scene of the Prodigal Son

 Rembrandt and Saskia in the Scene of the Prodigal Son in the Tavern
c. 1635 (120 Kb); Oil on canvas, 161 x 131 cm; Gemaldegalerie Alte Meister, Dresden

Self-Portrait by Rembrandt

Self-Portrait by Rembrandt

Self-Portrait
1669 (80 Kb); Oil on canvas, 86 x 70.5 cm; National Gallery, London
Self Portrait Painting by Rembrandt

Self Portrait Painting by Rembrandt

Self-Portrait
1661 (110 Kb); Oil on canvas, 114 x 94 cm; English Heritage, Kenwood House, London
Rembrandt’s paintings at Allartpainting Art Gallery:
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